Spotify, File-Sharing and Incomplete Statistics

Since Spotify finally launched in the US, the discussion has reignited about what the benefits of it are for musicians.

One recent conversation has involved people quoting diametrically opposite statistics about the influence of Spotify on file-sharing in Sweden. Some people quoting a stat that says file-sharing has dropped as Spotify has rolled out, and others saying that there’s more file sharing with Spotify…

chocolate pie chart

The problem with both statistics is that there’s no binary relationship between Spotify and file-sharing, and none of the articles I’ve seen writing about it have made any attempt to differentiate between different media being torrented, or indeed whether what’s been measured is number of unique users, number of files or quantity of traffic. All of which can be interpreted in myriad ways.

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Fair trade music

At New Music Strategies, we’ve been thinking about an idea that we believe would be really helpful for music marketing, would contribute toward ethical and sustainable practices for musicians and music businesses, and which we believe consumers would get behind.

We were talking this week about the fact that many people (on all sides of the digital copyright debate) speak about their relationship with music consumption as having an ethical and moral dimension.

People talk about how they like to ‘support the artist’ in certain instances – whether it’s that they are fans of a specific artist and want to see them create more works, or that they have a more general sense of obligation, gratitude or individual ethics when it comes to online music purchasing. Most people seem to be conflicted – not sure what impact their decision to download unauthorised content might have, or whether it makes any difference at all.

Some feel that there is an element of protest and ethical civil disobedience in their decision to download music released by multinational corporations, or music represented by organisations who support the disproportionate legal action against music fans. Some artists are known to be in an exploitative relationship with the record label and wouldn’t necessarily get paid anyway. And it’s even more complicated than that too, when you consider the treatment of contributing (but not featured) artists, sustainable use of materials in manufacture – and the durations and conditions within contracts that may be considered unfair.

So we came up with the notion of Fair Trade Music.

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AmpNMS is live

Welcome to AmpNMS – the live, online music knowledge event by New Music Strategies, powered by Amplified.

To join in go straight to the AmpNMS page (shown above). Here’s the link:
http://newmusicstrategies.com/ampnms

Then enter your name to join the chat and press play on the live streaming video. The rest will be entirely self-explanatory. See you at 4pm UK time and again at 8pm UK time today (Tuesday) and tomorrow.

Welcome to the first ever AmpNMS event

Here at New Music Strategies, we’re bored with the same old conversations about whether or not the internet is a good thing for musicians and for music. It’s a brilliant thing for music. Best thing that’s happened to music since microphones. So now what?

Well, for the next two days here at New Music Strategies we’re teaming up with the Amplified crew to bring you an online music industry knowledge event unlike any you’ve experienced before. We call it AmpNMS.

It’s about music entrepreneurship. It’s about your relationship with fans. It’s about underground music scenes. It’s about technology.

It’s live, it’s online, it’s totally free, and it’s completely interactive.

We’re not going to talk at you and expect you to sit there and just listen. We want to talk with you. We want to hear your ideas. And we’re not just going to retread the same old territory. It’ll be fresh, intelligent, interesting and challenging.

It’s New Music Strategies, Amplified.

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