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Best Regards
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But I disagree with the author (a very rare thing for me.) Music does NOT have the same value TO PEOPLE now that it did 20 years ago. You can argue verbage all you want, but go out into the world and ask people. Non-musician people. Music had more value when it was one of the only games in town. It competed for our attention with three channels of TV. No video games, no Internet, no video on demand, no 500 channels of cable.

Kids used to go outside and play catch with a ball. Kids used to go inside and put on a record and just sit and listen. Most kids today don’t do either, anymore.

Steve Purdham
CEO – We7
http://www.we7.com

Semantics is a bitch!

What is the value of a fond memory triggered by a fave tune? Certainly NOT the same as the value of the format you are using to listen to the song.

That’s all.

I am first fascinated and then drawn in deeply to the issue being discussed here. As a Dj, I ‘perform’ others music (primarily electronic and dance) with limited income myself and even less to the original artist per performance. I have always accepted that this was done with a total disregard to the copyright legalities stated on the sleeve, understood commonly, and with no malice towards that original artist. As a Dj, I make real effort to provide a promotional service and the understanding is that I am performing this music, created by this person or group, located here, for purchase this way.

As the market has changed in the manner so eloquently discussed above. My cost to procure said music has decreased and its availability and succesive procurement by listeners has increased.

As the owner of a recording studio and editor of an online magazine and media streaming company, I have sought new venues and new methods to manipulate these market trends and to promote said art and music. I believe Dubber’s original statements about “new manipulations of this medium” and the statement about creative diversified use of this new medium to remain effective and present, even compensated is what should be discussed here.

What “new music strategies” are available to us?

Copyright issues, which have dominated a large percentage of the above comments, are an issue of outstanding import. However, are you all aware of internet radio and media streaming being threatened by fees and policies that seek to crush the creative and small business means by which new artists are seeking to maintain a presence in this new market? I believe the website is http://www.savenetradio.org. Please get involved…

http://www.youtube.com/watch?v=5SaFTm2bcac

Above is a link to an equally eloquent report on copyright as it relates to the Amen Break. I think this poses the same compromise and content that this discourse is wrapped upon.

With sincere affection and gratitude,

Hugs