<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Case Study: UK Jazz distribution</title>
	<atom:link href="http://newmusicstrategies.com/2007/06/02/case-study-uk-jazz-distribution/feed/" rel="self" type="application/rss+xml" />
	<link>http://newmusicstrategies.com/2007/06/02/case-study-uk-jazz-distribution/</link>
	<description>Music culture, strategy and thinking in the digital age</description>
	<lastBuildDate>Sun, 20 May 2012 02:12:48 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.2</generator>
	<item>
		<title>By: Blue Morris</title>
		<link>http://newmusicstrategies.com/2007/06/02/case-study-uk-jazz-distribution/comment-page-1/#comment-549</link>
		<dc:creator>Blue Morris</dc:creator>
		<pubDate>Mon, 09 Jul 2007 23:19:55 +0000</pubDate>
		<guid isPermaLink="false">http://newmusicstrategies.com/2007/06/02/case-study-uk-jazz-distribution/#comment-549</guid>
		<description>The problem with AbeBooks is that authors don&#039;t make any money from the sales of used books. And likewise musicians don&#039;t many any royalties from the sale of used records/CDs etc which is what netsoundmusic.com is selling.

I think that&#039;s fine if you&#039;re buying rare records that aren&#039;t readily available. And it&#039;s especially okay when buying music that is hard to find in any format. But buying great quantities of used CDs when you can easily find and afford new CDs doesn&#039;t help the artists any.

I hope you work something out with Cadillac Jazz because that would be great to see some of these recordings back on the market. Hopefully the musicians who are still living will be able to benefit as well.

Great blog, by the way!

Blue Morris</description>
		<content:encoded><![CDATA[<p>The problem with AbeBooks is that authors don&#8217;t make any money from the sales of used books. And likewise musicians don&#8217;t many any royalties from the sale of used records/CDs etc which is what netsoundmusic.com is selling.</p>
<p>I think that&#8217;s fine if you&#8217;re buying rare records that aren&#8217;t readily available. And it&#8217;s especially okay when buying music that is hard to find in any format. But buying great quantities of used CDs when you can easily find and afford new CDs doesn&#8217;t help the artists any.</p>
<p>I hope you work something out with Cadillac Jazz because that would be great to see some of these recordings back on the market. Hopefully the musicians who are still living will be able to benefit as well.</p>
<p>Great blog, by the way!</p>
<p>Blue Morris</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Oliver Carter</title>
		<link>http://newmusicstrategies.com/2007/06/02/case-study-uk-jazz-distribution/comment-page-1/#comment-548</link>
		<dc:creator>Oliver Carter</dc:creator>
		<pubDate>Thu, 07 Jun 2007 23:24:31 +0000</pubDate>
		<guid isPermaLink="false">http://newmusicstrategies.com/2007/06/02/case-study-uk-jazz-distribution/#comment-548</guid>
		<description>In response to Pete Ashton there is a music website similar to Abe Books called NetSounds (www.netsoundsmusic.com/) that has been around for sometime now.</description>
		<content:encoded><![CDATA[<p>In response to Pete Ashton there is a music website similar to Abe Books called NetSounds (www.netsoundsmusic.com/) that has been around for sometime now.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Pete Ashton</title>
		<link>http://newmusicstrategies.com/2007/06/02/case-study-uk-jazz-distribution/comment-page-1/#comment-547</link>
		<dc:creator>Pete Ashton</dc:creator>
		<pubDate>Sat, 02 Jun 2007 21:23:12 +0000</pubDate>
		<guid isPermaLink="false">http://newmusicstrategies.com/2007/06/02/case-study-uk-jazz-distribution/#comment-547</guid>
		<description>I guess what you&#039;re wanting in the music equivalent of Abe Books.

It always amuses me how the book trade, notorious for being fusty and set in its ways, was so much quicker to adapt to the internet than the music trade. I wonder if it&#039;s all down to the ISBN?</description>
		<content:encoded><![CDATA[<p>I guess what you&#8217;re wanting in the music equivalent of Abe Books.</p>
<p>It always amuses me how the book trade, notorious for being fusty and set in its ways, was so much quicker to adapt to the internet than the music trade. I wonder if it&#8217;s all down to the ISBN?</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Jonathan Melhuish</title>
		<link>http://newmusicstrategies.com/2007/06/02/case-study-uk-jazz-distribution/comment-page-1/#comment-546</link>
		<dc:creator>Jonathan Melhuish</dc:creator>
		<pubDate>Sat, 02 Jun 2007 08:09:42 +0000</pubDate>
		<guid isPermaLink="false">http://newmusicstrategies.com/2007/06/02/case-study-uk-jazz-distribution/#comment-546</guid>
		<description>I think that Amazon Marketplace is a good place to sell this kind of thing.  As far as I understand, vendors can create product entries for items that Amazon themselves don&#039;t sell.</description>
		<content:encoded><![CDATA[<p>I think that Amazon Marketplace is a good place to sell this kind of thing.  As far as I understand, vendors can create product entries for items that Amazon themselves don&#8217;t sell.</p>
]]></content:encoded>
	</item>
</channel>
</rss>

